It was crafted as an homage to the work of director David Fincher. This short film was created during my attendance at Columbia College Chicago. As they embark on a fiendish journey to bury the past, a sudden attack of conscious exposes the truth behind this twisted situation, revealing the culprit responsible for Marla's death. To do this, he enlists the help of Tyler (Peter Maniscalco), his sisters supposed ex-boyfriend and wannabe tough guy. ![]() I have also directed several music videos for various indie rock bands, written 2 feature films, "The Visitors" and "Back From The Grave", and am currently in the process of developing future projects to expand my directorial portfolio.īy Cinescope Productions (Mystery and Thriller)ĭirector / Writer / Producer After his sister Marla (Anna Walters) suddenly ends up dead at a college party, David (Matt Storc) takes it upon himself to dispose of her body and be rid of the sibling he's long resented. The film also earned me the Presidential Scholarship at Columbia College during my senior year of attendance. I have directed dozens of short films, including "Made of Steel" (2011), which was part of the official selection for the 2011 Illinois International Film Festival. Which brings me to where I am today a cancer survivor and ambitious filmmaker. It started out as nothing more than camera oriented shenanigans during my time with friends, which eventually lead to my involvement with my high school's tech society, my attendance at a local career center, and then a degree in Film & Video Production from Columbia College Chicago. So I began writing and directing my own movies. From the moment I saw "Superman: The Movie" when I was 7 years old, I knew what I wanted to do for the rest of my life. Spending 3 1/2 years of my life undergoing chemotherapy only helped to expand my cinematic obsession. ![]() Thanks for comment Alec and for sharing your workflow.My passionate obsession for storytelling and the craft of filmmaking began when I was just a kid. It's great that Premiere Pro gives you the flexibility to address both workflows as needed. That said, if I was in a contained workflow that I was in control of.I would have no issue with setting the sequence to my final delivery format like you do to do the whole edit. Also, I have to deliver scenes for review to studios / directors / producers that are played back in theaters for review and they have to be 16:9 to project properly at HD or 4K. The PNG aspect ratio templates offer real-time playback and take no hit on performance for the GPU or CPU. I always use the "Default scale to frame size" option and use an industry standard resolution size as I always have to share assets with VFX and for final delivery. But I haven't worked on a project in the many years that didn't use several different resolution sizes / pixel aspect ratios / frame rates etc. If I'm only shooting one camera codec/frame size that's all good and I can reposition for the final framing. I also love the custom sequence settings possible in Premiere Pro and have cut my last 4 feature films in it. All you've got to do is import the template with your aspect ratio of choice into an NLE, drag it onto its own video track atop your edited sequence, and vertically reposition any shots that need recomposing to fit the new ratio. Each template comes in resolutions ranging from 2K to 6K.Īpplying these ratios to your footage is insanely easy. ![]() They range from classics like 1.85:1 and 2.39:1 all the way to the obscenely wide 4.00:1. His new template pack (which you can download by clicking the giant image below) comes with 8 popular widescreen ratios just as black bars png. So Vashi did us all a favor and updated the templates for our high-resolution present and our even higher-resolution future. However, those templates were all designed for HD frame sizes, and this being 2015, seemingly no one gives a shit about HD anymore. ![]() In one of his best blog posts, prolific editor Vashi Nedomansky shared examples of most every aspect ratio ever used in the history of cinema (there are a lot of them), and shared a link to some free templates that can be overlaid on footage to change the aspect ratio. Aspect ratios are an insanely powerful visual tool, and aspect ratio templates are a great option for spicing up your work quickly and easily.
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